Ferrucio Busoni
Ten years ago, no one would ha ve wanted to hear Marc-André Hamelin in Debussy, and rightly so. Now he’s among the best in that sort of repertoire. The transformation of Hamelin from piano-pyrotechnician to musician with great tonal control and a splendid legato is remarkable. He proved that with ease and a gorgeous tone from his Fazioli piano in a recital at Munich’s half-filled
Sunday, December 16, 2012
Ionarts-at-Large: Marc-André Hamelin at the Herkulessaal
Posted on 11:02 AM by Unknown
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